Voodoo – Reality and Imagination
Who hasn’t heard about Voodoo? Al the time we see the pinned dolls in movies or TV spots. We ask ourselves what are their purposes…they were only created to scare…and nothing more.
The book which cought the imagination of people outside the West Indies, and which was responsible for much of the misunderstanding and fear that is present today is “Haiti or the Black Republic”,written by S.St. John. It is an inaccurate and sensational book, written in 1884 and which describes Vodun as a profoundly evil religion, and included lurid descriptions of human sacrifice, cannibalism etc, some of which have been extracted from Vodun priests by torture. Hollywoodfound this a rich source for Voodoo screen plays. Horror movies began in 1930s and continue today to misrepresent Vodoo. It is only since the late ‘50s that the accurate studies by anthropologists have been published.
all started 6 000 years ago in Africa, but can be directly traces to the West
African Yaruba people who lived in the 18th and 19th
centurydahomey, which occupied parts of today’s Togo, Benin and Nigeria. It was
All the Vodun practicers worship three goups of spirits: the saints(also known as loa ), the ancestors and the twins (marassa). The loa are often associated withcatholic saints and African tribal deities and many combine characteristics of both, as the indentification of St.Patrick with a native sake deity. Individuals inherit the obligation to worship a particula r loa, as well as the family dead and the spirits of the twins among the ancestors. There is no hierarchy of priests and no centralised control, and the cult groups are aided to do rituals by priests (also called hungan) or priestesses (mambo) but not necessarely.
As well as the Catholics, the Vodun belief
includes a chief God Olorum, who is
remote and unknowable. He authorised a lesser God Obatala to create the earth and rhe life forms. A battle
between the two gods led to Obatala’s temporary banishment. The spirits which
Followers of Vodun believe that each person has a soul which is composed of two parts: a gros bon ange or “big guardian angel” and a ti bon ange, meaning “little guardian angel”.
Although the African and Haitian Vodun have the same source, along the time little differences apeared. I would say African Vodun is more agressive but of course is just my opinion.
African followers rely on unseen forces to govern their world and their lives.
There are voodoo healing hospitals were all kind of cures can be found, from cures for leprosy to ones for paralysis. In these hospitals there are shrines of the loa and the “doctors” invoke their spirits. One declared “The gods protect us. They direct our actions and tell us which medicines to take so no harm can come to us.” But the shrines are a little bit funny: they smoke, drink gin and smell good.
Every three years, in May, a seven-day celebration is held and the meeting place hundreds of worshipers from area villages come and pay homage Flimani koku, the healing god. During the celebration weird things happen “with the help of our gods” as they say “a man brings a heated knife to his tongue but after several repetitions, his tongue doesn’t even redden”. Only for the strangers this things seem weird but for the participants it seems normal.
During the ritual a feast has to be prepared and a chiken has to be killed on the forehead of a boy and cooked in a cabalash. Before this the Kokuzun participants follow the deities command: “ Do not have sex or eat goat meat for two weeks before the celebration, and come with a clean heart.
Haitian Voodoo rituals involve a feast before the main ceremony and a dance. The dancing will typically build in intensity until one of the dancers ( usually a hounsis- students studying Vodun) becomes possesed by o loa and falls. His or her ti bon ange has left their body and the spirit has taken control. The possesed dancer will behave as the loa and is treated with respect and ceremony by the present. While they are possessed they may walk, dance, eat and even give advice to and prescribe cures for ill. A possessed individual is known as the deity’s “horse” and the deity is said “to mount” his “horse”. At the end of the possession the “horse” is expected to have no memory of the experience. The dance and the whole ritual is accompanied by a lot of drumming and singing. The drummings and the songs must be appropriate for the particular group of spirits to be invoked, because each loa has his or her own particular drum rythms and songs. They are thus invited to participate in the dance.
The Haitian form oh spirit possessionb is clearly derived from similar, somewhat more highly formalized fhenomena in elements of voodoo are derived.
A Vodun ritual contains a number of elements taken over from catholicism as the Hail Mary, the Lord’s Prayer, the Littany of Saints, the sign of cross, baptism, the use of bells, candles, crosses and pictures of saints.
There are more similar points of similarity between Roman Catholicism and Vodun: both believe in a supreme being, the Loa resemble Christian Saints, in that they were once people who led exceptional lives, and are usually given a simple responsibility or special attributes, both believe in an after life, followers of vodun believe in each persona has a met tet (master of the head) which corresponds to a Christian’s patron saint.
pins in ‘voodoo dools” was once used as a method of curing an individual by
some followers of Vodun in
Vodun is not what we all thought about it, but a religion like others and the hot details about, were just inventions we see all the time at TV and we take for granted.
Ultimele referate adaugate
- Mihai beniuc - „poezii"
- Mihai eminescu - student la berlin
- Mircea Eliade - Mioara Nazdravana (mioriţa)
- Chirita in provintie de Vasile Alecsandri -expunerea subiectului
- Dragoste de viata de Jack London
|Ion Luca Caragiale
- Triumful talentului… (reproducere) de Ion Luca Caragiale
- Fantasticul in proza lui Mircea Eliade - La tiganci
- „Personalitate creatoare” si „figura a spiritului creator” eminescian
- Enigma Otiliei de George Calinescu - geneza, subiectul si tema romanului
- Arta literara in romanul Ion, - Liviu Rebreanu